• CONFIDENCE

    Nella religione ebraica, il nome di Dio si può scrivere, ma non pronunciare. Sono quattro consonanti, la cui vocalizzazione è totalmente sconosciuta. Si riconosce scorrendo il testo ma non si può comunicare né, di conseguenza, condividere. Rimane una consapevolezza intima e inespressa del lettore..... (Leggi tutto)

    Michele Alassio, November 2016

    Scarica testi ed immagini del catalogo

  • Archivio Storico Banco di Napoli

    Naples, June 2016

    Edition of five, variable sizes

  • Bois De Boulogne

    Paris, September 2016

    Edition of five, variable sizes

  • San Marcello Pistoiese

    Tuscany, July 2016

    Edition of five, variable sizes

  • Crete Senesi

    Tuscany, July 2016

    Edition of five, variable sizes

  • Passo Giau

    Belluno, August 2016

    Edition of five, variable sizes

  • Roberto Barni “Servi muti”
    Collezione Gori

    Pistoia, July 2016

    Edition of five, variable sizes

  • Ischia

    June 2016

    Edition of five, variable sizes

  • Nazarè

    Portugal, September 2016

    Edition of five, variable sizes

  • Grand Hotel Parker’s

    Naples, June 2016

    Edition of five, variable sizes

  • Populonia

    Tuscany, July 2016

    Edition of five, variable sizes

  • Il Quercione

    Tuscany, July 2016

    Edition of five, variable sizes

  • Reichstag

    Berlin, August 2016

    Edition of five, variable sizes

  • Castello Sforzesco

    Milan, September 2016

    Edition of five, variable sizes

  • Rocca Tentennano

    Tuscany, July 2016

    Edition of five, variable sizes

  • Tierpark

    Berlin, August 2016

    Edition of five, variable sizes

  • Aereoporto di Capodichino

    Naples, June 2016

    Edition of five, variable sizes

  • Confidence

    other works in exhibition

  • "The Dream of the Greek" from the series “Dreams&Nightmares (2014)

    Ravello, Amalfi Coast, May 2012

    Plotter print on Hahnemühle Baryta Paper
    Edition of ten, variable sizes

  • "The Nightmare of the Web" from the series “Dreams&Nightmares (2014)

    Venice, Biennale di Architettura, November 2012

    Plotter print on Hahnemühle Baryta Paper
    Edition of ten, variable sizes

  • "The Architect’s Dream" from the series “Dreams&Nightmares (2014)

    Venice, Bienale di Architettura, November 2012

    Plotter print on Hahnemühle Baryta Paper
    Edition of ten, variable sizes

  • "The Green Nightmare" from the series “Dreams&Nightmares (2014)

    Antique water Mill, Sorrento, Italy, September 2013

    Plotter print on Hahnemühle Baryta Paper
    Edition of ten, variable sizes

  • "Grimani Palace" from the series “Jorge Luis Borges” (2011), Venice, January 2009

    “ …that all the arts aspire to te condition of music, which is nothing but form. Music, state of happiness, mythology, faces shaped by time, certain twilights and certain places, try to tell us something, or they told us something. That we should not have lost, or want to tell us something; this imminence of a revelation as yet unproduced is, perhaps, the aesthetic act”

    Last paragraph of “The Wall and the Books” in “Other Inquisitions” (1950)

    Plotter print on Hahnemühle Museum Paper / Edition of ten, variable sizes

     

  • "Siena Hill’s" from the series “Jorge Luis Borges” (2011), Italy, February 2011

    “I am the only spectator of this road; if I stopped seeing it, it would die.”

    From “Camminata” in “Fervore di Buenos Aires” (1925)

    Plotter print on Hahnemühle Museum Paper / Edition of ten, variable sizes

     

  • “Carsten Holler, Belgium” from the series “Next Stop” (2004)

    Plotter print on Hahnemühle Baryta Paper,
    edition of eight

  • "David Hammons" from the series “Next Stop” (2004)

    Plotter print on Hahnemühle Baryta Paper,
    edition of eight

  • “Porta della Carta, Venezia” from the series “Venice” (2006)

    Signed and numbered edition of 15 various size copies, printed on Hahnemühle Baryta Paper

  • “Cupole Basilica San Marco, Venezia” from the series “Venice” (2006)

    Signed and numbered edition of 15 various size copies, printed on Hahnemühle Baryta Paper

  • “End” from the series “Sack” (2004)

    Signed and numbered edition of 8 various size copies, printed on Hahnemühle Baryta Paper

  • “Time” (1986)

    Signed and numbered edition of 8 various size copies, printed on Hahnemühle Baryta Paper

  • Museo Archeologico, Venezia (1986)

    Signed and numbered edition of 10 copies printed by the author on Ilford Gallery

  • “The man to mistook his wife for a hat” from the series “SACKS” (2004)

    Signed and numbered edition of 8 various size copies printed on Epson Radiant White Paper

  • “The dog under the skin” from the series “SACKS” (2004)

    Signed and numbered edition of 8 various size copies printed on Epson Radiant White Paper